First, the puzzle pieces were for part of a brain storming session put on by an artist about what to do with this abandoned lot next door to her home in the East Village after it's current, semi-permanent art project disappears. The semi-permanent art project came about when the dilapidated space needed some help leading to the Guggenheim stepping in to use the area as a launch for a huge undertaking in the form of the BMW Guggenheim Lab (partly pictured above). This project seems utterly inspiring, an attempt to motivate community through workshops and discussions in
the form of pop-up think tank structures traveling throughout the globe and on the
web. Focusing on issues of urban living, environment and habitation, from NY to Berlin to Mumbai and beyond, this idea seems like a portable utopia taking up real important issues within the landscape it is effecting! So great! If only every dieing building could meet this type of end! I wonder what this space will become next?On our drive home the weather was an eerie, car pounding rain so when we passed by the artspace Dia Beacon I forced Brent to stop for a bit and take in the minimalism! I don't really think he was too thrilled walking amongst the barren landscape of strings, colors and shapes but one cannot discount the massive beauty of Richard Serra after experiencing his pieces at Beacon. The light & shadow, the gradation of color (going from pale orange to pitch, swallowing black to every shade of brown), the curves of these massive, towering steel shipsides engulfing you into a feeling and space that I think all art should strive to match: it is downright transformative in an unrivaled way. A Joseph Beuys sculpture of shapely stacks of felt that dampened and expanded sound and space as you ducked between them also had a similar, physical reaction that I have come to really appreciate in art mostly due to my own experiences with building structures and learning about the complicated construction of tension. Apart from these pieces, being at Dia Beacon and seeing the scads of young art students wandering around made me a little wary about the future of art...
Art Rant continued after the jump!
What is the point of making something if there is no reaction? If the message and meaning is muddled in form? I do recognize that the message and meaning can be the form but I have a hard time grappling with abstract, minimalist art that needs a textbook to defend it's importance...art should be an accessible way to change perception not an esoteric jargon club, right? I'm not saying that I didn't enjoy the Blinky's or the Knoebel's at Dia Beacon (both sort of making color fields of uniformity but revealing a little bit of the hand, maybe a comment on the human in the industrial?) or that these works weren't understood/expressed the movement from which they came but, I sometimes worry that the new class of makers that seems to find inspiration strictly from art and the increase in the institutionalization of art has caused a bad case of tunnelvision in the art world that really needs it's scope widened!